{"id":1548,"date":"2019-01-09T23:41:40","date_gmt":"2019-01-09T22:41:40","guid":{"rendered":"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/?p=1548"},"modified":"2019-01-10T18:56:47","modified_gmt":"2019-01-10T17:56:47","slug":"livres-pour-2019","status":"publish","type":"post","link":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/2019\/01\/09\/livres-pour-2019\/","title":{"rendered":"Livres pour 2019"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"aligncenter wp-image-1549\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/from-within-a-book-a-ship-sets-sail-300x200.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/from-within-a-book-a-ship-sets-sail-300x200.jpg 300w, https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/from-within-a-book-a-ship-sets-sail-768x512.jpg 768w, https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/from-within-a-book-a-ship-sets-sail.jpg 900w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: times new roman, times, serif; font-size: 48pt; color: #c00000;\">LIVRES POUR 2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Nous vous avons d\u00e9j\u00e0 dit ce qui vous attendait \u2013 en 2019 au lieu de 2018 \u2013 \u00e0 propos du fameux \u00ab\u00a0Armistice\u00a0\u00bb qui n\u2019en fut pas un, puisque la Grande Guerre a continu\u00e9, continue et menace plus que jamais de s\u2019\u00e9tendre, comme les proph\u00e8tes de l\u2019eschatologie n\u2019ont cess\u00e9 de nous l\u2019annoncer, surtout ceux qui en ont vu les d\u00e9buts <em>in situ<\/em>. De leur nombre, les quelques rescap\u00e9s devenus \u00e9crivains plan\u00e9taires et \u00ab\u00a0substance du XXe si\u00e8cle\u00a0\u00bb dont on ne peut se passer si on veut comprendre ce qui arrive\u00a0: Malaparte, C\u00e9line, Graves, Sassoon, Cendrars, quelques autres Fran\u00e7ais, J\u00fcnger\u2026 On n\u2019interrogera ici que ces plus grands, parce qu\u2019il faut savoir se limiter, en esp\u00e9rant ne pas d\u00e9funter nous-m\u00eames avant d\u2019avoir fini.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">On aurait d\u00fb vous faire conna\u00eetre aussi, au d\u00e9but de 2018, un livre publi\u00e9 aux USA en 2014, qui venait de sortir en fran\u00e7ais fin 2017. La f\u00e9e Carabosse des ordinateurs en ayant d\u00e9cid\u00e9 autrement, notre \u00ab\u00a0compte-rendu de lecture\u00a0\u00bb, remis de jour en jour \u00e0 plus tard, a fini par se g\u00e9n\u00e9rer, si on ose ainsi parler, une queue de com\u00e8te de plusieurs <em>posts<\/em>, au fil des r\u00e9flexions et de l\u2019approfondissement du sujet. Car nous nous sommes aper\u00e7us que, de l\u2019essai en question, on avait vite fait de d\u00e9boucher sur la place \u2013 le r\u00f4le \u2013 des femmes dans la soci\u00e9t\u00e9. Au moment o\u00f9 le patriarcat est tellement tomb\u00e9 en quenouille qu\u2019il n\u2019est plus cornaqu\u00e9 que par une bande de femmes ch\u00e2tr\u00e9es, on ne voit pas pourquoi on n\u2019apporterait pas notre grain de sel \u00e0 l\u2019empoignade, pourquoi, surtout, on ne cogiterait pas un peu sur ce que pourraient \u00eatre, \u00e0 l\u2019avenir \u2013 \u00e0 supposer qu\u2019il nous en reste un \u2013, les relations entre les hommes et les femmes\u00a0: Au bout de 110.000 ans de relations empiriques entre les m\u00e8res et les p\u00e8res, les filles et les fils ont-ils un avenir\u00a0ou pas ?<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Bref, faux <strong>ARMISTICES<\/strong> et vraies ou fausses AMAZONES sont cens\u00e9s s\u2019entrecroiser \u00e0 bord des Grosses Orchades dans le temps qui nous reste \u00e0 nous. Et vogue la gal\u00e8re.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Deux autres livres dans l\u2019imm\u00e9diat\u2026 tous les deux pour les bilingues\u00a0:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong>\u00a0<img loading=\"lazy\" class=\"alignnone wp-image-1551\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/LIVRES-300x162.gif\" alt=\"\" width=\"600\" height=\"324\" \/><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: times new roman, times, serif; font-size: 36pt;\"><strong>Le Temps et l\u2019Espace en question dans l\u2019\u00c9gypte ancienne<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 12pt;\">Ce coup-ci on n\u2019est pas en retard pour vous l\u2019annoncer \u2026 On regrette juste que, les auteurs \u00e9tant belges francophones, leur travail ne paraisse pas en fran\u00e7ais et que les articles qu\u2019il contient n\u2019aient pas \u00e9t\u00e9 traduits de leur langue d\u2019origine. En fran\u00e7ais ou en flamand, voire en allemand (troisi\u00e8me langue nationale), d\u2019autant que l\u2019\u00e9diteur est teuton\u2026 Mais puisque l\u2019anglais remplace temporairement le latin, contentons-nous d\u2019occuper nos provinciales alv\u00e9oles et attendons des temps meilleurs.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-1552\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/Gaelle-couverture-212x300.jpg\" alt=\"\" width=\"300\" height=\"424\" srcset=\"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/Gaelle-couverture-212x300.jpg 212w, https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/Gaelle-couverture-768x1087.jpg 768w, https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/Gaelle-couverture-724x1024.jpg 724w, https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/Gaelle-couverture.jpg 2008w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Ga\u00eblle Chantrain &amp; Jean Winand (eds)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 18pt;\"><strong><em>Time and Space at Issue in Ancient Egypt<\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Lingua Aegyptia Studia Monographica 19<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Hamburg, published in December 2018<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">viii+242 p., 11 colour and 83 b&amp;w illustrations, paperback, 495 g. (ca.) <\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">ISBN 978-3-943955-19-4<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">ISSN 0946-8641<\/span><\/p>\n<ul>\n<li><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Price 55.00 \u20ac<\/span><\/li>\n<li><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Reduced price for subscribers to LingAeg (Journal) 39.00 \u20ac<\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><u><a href=\"http:\/\/widmaier-verlag.de\/shop\/cart.php?id=978-3-943955-19-4&amp;action=add\">+ <\/a><\/u><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><u><a href=\"http:\/\/widmaier-verlag.de\/shop\/cart.php?id=978-3-943955-19-4&amp;action=add\">add to cart <\/a><\/u><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 90px;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">NOTICE:<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Choose your subscription type when entering your <a href=\"http:\/\/widmaier-verlag.de\/index.php?content=shop&amp;site=form\">billing information<\/a>.<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">All prices incl. VAT 7% and excl. shipping. Orders from non-EU customers and from VAT registered customers (EU) will be exempt from German VAT.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">(NB : On remarquera que la couleur de couverture est dans l\u2019air du temps pr\u00e9sent, nuance allemande.)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 18pt;\"><strong>Content<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">This volume is a collection of papers that were presented during the international conference <em>Time and Space in Ancient Egypt<\/em> organised by the Universit\u00e9 catholique de Louvain and the Universit\u00e9 de Li\u00e8ge (Louvain-la-Neuve, 9\u201311 June 2016). The participants were invited to examine in the broadest possible way the interactions between the expressions of time and space. This volume does not pretend to come with definitive solutions or conclusions, even less, with a new theory. As suggested in the title, one of our main goals was to problematize these topics by promoting interdisciplinary discussions on possible links of interconnectivity between time and space, two among the most basic modes of cultural organization.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 18pt;\"><strong>Introduction<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Ga\u00eblle Chantrain &amp; Jean Winand,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>Temps et espace en \u00c9gypte ancienne : une introduction<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">1-27<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Jean-Marie Klinkenberg,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>Avant la langue: Le temps et l&rsquo;espace comme construction s\u00e9miotique<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">9-46<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 18pt;\"><strong>Contributions<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Christian Langer,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>The Concept of &lsquo;Frontier&rsquo; in New Kingdom Egypt. A Comparative Approach to the Spatiality of Ideology<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">47-69<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Nikolaos Lazaridis,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>Action and Private Space in Ancient Egyptian Narrative<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">71-80<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Alicia Maravelia,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>Of Eternity, Everlastingness and Stars: Notions of Time, Space, Duration and the Firmament in the Pyramid and Coffin Texts<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">81-110<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Maya M\u00fcller,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>Techniques for the Simultaneous Increase and Reduction of Time and Space in Egyptian Art<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">111-132<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Jean-Pierre P\u00e4tznick,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>Hw.t Xnt(j) sQr wr : La Demeure de \u2013Celui qui pr\u00e9side \u00e0 l\u2019offrande \/ au sacrifice du v\u00e9n\u00e9rable\u2013. L\u2019enceinte fun\u00e9raire de la vall\u00e9e \u00e0 Abydos ou l\u2019intemporalit\u00e9 de l\u2019espace sacr\u00e9 dans le rituel fun\u00e9raire royal thinite<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">133-149<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Martin Pehal,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>Culturally Reflexive Aspects of Time and Space in New Kingdom Mythological Narratives<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">151-182<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Daniel M. Potter,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>Deictic Motion Verbs and Divine Interaction. Placing the Individual and the Divine in Time and Space<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">183-207<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Daniel A. Werning,<\/span><br \/>\n<span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>The Representation of Space, Time, and Event Sequence in an Ancient Egyptian Netherworld Comic<\/em><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">209-242<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 24pt; color: #c00000;\"><strong><em>Bon, si vous \u00eates bilingues et si vous avez 55 \u20ac qui tra\u00eenent\u2026<\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong><em>\u00a0<\/em><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong><em>\u00a0<img loading=\"lazy\" class=\"alignnone wp-image-1551\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/LIVRES-300x162.gif\" alt=\"\" width=\"150\" height=\"81\" \/><\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong><em>\u00a0<\/em><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong><em>\u00a0<\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 24pt; color: #c00000;\"><strong><em>Si vous \u00eates bilingues et assez riches pour y ajouter 35 \u20ac\u2026<\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong><em>\u00a0<\/em><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: times new roman, times, serif; font-size: 36pt;\"><strong>PORIUS<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-1554\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/51zAV9grztL._SX329_BO1204203200_-199x300.jpg\" alt=\"\" width=\"300\" height=\"452\" srcset=\"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/51zAV9grztL._SX329_BO1204203200_-199x300.jpg 199w, https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/51zAV9grztL._SX329_BO1204203200_.jpg 331w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">John Cowper POWYS<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 18pt;\"><strong><em>PORIUS<\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Overlook Duckworth \u2013 Aug. 16, 2007<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Edited by Judith Bond and Morine Krisdttir<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">With a foreword by Morine Krisdttir<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">760 pages (16 x 4,5 x 23,4 cm)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><a href=\"http:\/\/www.overlookpress.com\">www.overlookpress.com<\/a>\u00a0 New York, Woodstock &amp; London.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Peut-\u00eatre aurons-nous un jour l\u2019occasion de vous entretenir plus en d\u00e9tail du roman (\u00e9crit dans un anglais somptueux pour le coup) o\u00f9 John Cowper Powys ressuscite l\u2019imm\u00e9morial dieu du Temps \u2013 celui qui, chez les Grecs, mangeait ses enfants \u2013 en Merlin, dit l\u2019Enchanteur, qui offre \u00e0 la f\u00e9e Viviane, avant de se laisser de bonne gr\u00e2ce enterrer, la derni\u00e8re pierre que sa Rh\u00e9a lui avait fait avaler en guise de Zeus.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Il est aussi \u00e9norm\u00e9ment question de l\u2019Espace dans ce roman gallois, un des plus grands du XXe si\u00e8cle, en avance d\u2019au moins cinquante ans sur tout le reste : <em>\u00ab\u00a0A monument of neglect\u00a0\u00bb, <\/em>selon Martin Amis, qui doit savoir ce que publier un livre veut dire dans l\u2019Europe en train de sombrer.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">L\u2019histoire de ce livre est d\u2019ailleurs en elle-m\u00eame un roman\u00a0:<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Apr\u00e8s avoir donn\u00e9, de 1905 au d\u00e9but des ann\u00e9es 1930 \u00ab\u00a0plus de dix mille conf\u00e9rences dans tous les \u00c9tats-Unis sauf deux\u00a0\u00bb et s\u2019\u00eatre retir\u00e9 \u00e0 la campagne (<em>upstate New York<\/em>) pour raisons de sant\u00e9, Powys a commenc\u00e9 son \u0153uvre litt\u00e9raire \u00e0 l\u2019\u00e2ge o\u00f9 les autres meurent ou s\u2019arr\u00eatent, pour finalement rentrer en Angleterre, avec la femme extraordinaire qui a partag\u00e9 les quarante derni\u00e8res ann\u00e9es de sa vie, et aller s\u2019enterrer au Pays de Galles, d\u2019abord dans la petite ville de Corwen \u2013 dans ce pays d\u2019Edeyrnion, une des provinces de l\u2019ancien royaume de Powys, qui sert de cadre \u00e0 <em>Porius<\/em> \u2013, pour finir ensuite, en 1955, pouss\u00e9 par la pr\u00e9carit\u00e9, \u00e0 Blaenau Ffestiniog, ville mini\u00e8re encore plus petite du Gwynedd.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">C\u2019est \u00e0 Corwen qu\u2019en 1951 il ach\u00e8ve \u00ab\u00a0le chef d\u2019\u0153uvre de toute ma vie\u00a0\u00bb, encore plus chef d\u2019\u0153uvre que les autres\u2026 qui sont nombreux. Il a 78 ans, il y a travaill\u00e9 pendant plusieurs ann\u00e9es apr\u00e8s s\u2019\u00eatre immerg\u00e9 totalement dans l\u2019histoire du\u00a0 pays de ses anc\u00eatres et en avoir appris la langue. Il est si pauvre qu\u2019il doit emprunter de l\u2019argent \u00e0 un de ses fr\u00e8res, alors qu\u2019il vit pourtant d\u2019\u0153ufs de pain et de th\u00e9, sans s\u2019accorder la moindre d\u00e9pense autre que de survie.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Quand il met le mot fin au bas de cette histoire, qui a plusieurs niveaux de lecture dont un alchimique, il est tr\u00e8s fier d\u2019avoir \u00e9crit \u00ab\u00a0un roman plus long que <em>Guerre et Paix<\/em>\u00a0\u00bb. Il en conna\u00eet la valeur et il a terriblement besoin de l\u2019argent qu\u2019un tel livre peut valoir, m\u00eame chez les barbares. Ses \u00e9diteurs am\u00e9ricains, Simon &amp; Schuster, le refusent. La maison de Simon et de Schuster est devenue un empire de l\u2019\u00e9dition U.S. Ce ne sont plus les deux fondateurs qui lisent ses manuscrits. Les sous-fifres ne comprennent rien \u00e0 ce qui leur semble, \u00e0 eux, Am\u00e9ricains \u00e9nergiques et prosa\u00efques, du charabia, des longueurs filandreuses, du bavardage qu\u2019ils croient s\u00e9nile\u2026 Ses \u00e9diteurs anglais, The Bodley Head, commencent par refuser eux aussi en invoquant les m\u00eames \u00ab\u00a0raisons\u00a0\u00bb, pour finir par accepter en chipotant de le publier, \u00e0 condition qu\u2019il le coupe. Tr\u00e8s fort. Plus ou moins de la moiti\u00e9. Essayons de nous figurer Dante ou Balzac pri\u00e9s de r\u00e9duire de moiti\u00e9 leurs Com\u00e9dies respectives\u2026 Powys, si d\u00e9sesp\u00e9r\u00e9 qu\u2019il soit mais press\u00e9 par le besoin, s\u2019incline. Et, comme le dit son exemplaire biographe Morine Krisd\u00f3ttir, il le fait en v\u00e9ritable artisan du verbe, se vantant m\u00eame, avec un humour h\u00e9ro\u00efque, d\u2019\u00eatre pass\u00e9 \u00ab\u00a0ma\u00eetre coupeur\u00a0\u00bb. The Bodley Head, pas b\u00e9gueule, lui en offre\u2026 60 \u00a3. On imagine Louis-Ferdinand C\u00e9line recevant une telle offre de Gaston\u2026 Powys, si pauvre qu\u2019il soit, refuse. Jusqu\u2019au jour o\u00f9 un autre \u00e9diteur anglais, MacDonald, accepte de le publier en lui en offrant cinq fois plus (\u00b1 360 \u00a3), ce qui n\u2019est quand m\u00eame pas le pactole, mais il accepte. Malheureusement, le manuscrit original tap\u00e9 en deux exemplaires est toujours chez S &amp; S et chez The Bodley Head. MacDonald publie \u2013 en 1951 \u2013 le roman abr\u00e9g\u00e9, qui est une \u0153uvre totalement diff\u00e9rente, grand livre quand m\u00eame, mais sans commune mesure avec l\u2019original et d\u2019une tout autre facture (il lui avait bien fallu sabrer dans les soliloques, les r\u00eaveries \u00e0 la Jean-Jacques, les \u00e9vocations de la nature d\u00e9passant Jean-Jacques, les \u00e9tats d\u2019\u00e2mes, les sensations, les ruminations, les perceptions de ce monde-ci et des autres, les interventions du temps et de l\u2019espace qui tant ahurissaient nos modernes hommes d\u2019affaires litt\u00e9raires).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Cinquante ans plus tard, apr\u00e8s que le monde ait enfin d\u00e9couvert ce qu\u2019est le r\u00e9alisme magique, c\u2019est l\u2019\u00e9diteur US Overlook Duckworth qui demande \u00e0 deux powysiennes \u00e9m\u00e9rites\u00a0: Judith Bond et Morine Krisd\u00f3ttir, de s\u2019atteler \u00e0 la t\u00e2che de restaurer <em>Porius<\/em> dans son \u00e9tat original, c\u2019est-\u00e0-dire de reconstituer sans aucun doute possible le premier manuscrit livr\u00e9 par Powys. T\u00e2che excessivement ardue, parce qu\u2019au temps o\u00f9 on tapait \u00e0 la machine sur papiers pelure et carbone, les originaux avaient vite fait de se d\u00e9t\u00e9riorer en passant de main en main et un demi-si\u00e8cle est un demi-si\u00e8cle. Les archives de Powys sont aujourd\u2019hui diss\u00e9min\u00e9es entre plusieurs universit\u00e9s US, le mus\u00e9e de Dorchester et bien d\u2019autres d\u00e9tenteurs. Sans compter les collectionneurs priv\u00e9s, la Powys Society qui fait de son mieux, etc. Apr\u00e8s plusieurs ann\u00e9es d\u2019un travail indescriptible et d\u2019all\u00e9es et venues entre deux continents, le <em>Porius<\/em> sorti leurs mains en 2007 est un objet digne de son sujet, et tel que l\u2019avait voulu son auteur. On ne peut pas leur faire de plus grand compliment.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Au bout de 57 ans.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Reste, \u00e0 pr\u00e9sent, \u00e0 le publier en fran\u00e7ais. Reste surtout \u00e0 traduire un mastodonte o\u00f9 l\u2019anglais s\u2019impose comme langue intens\u00e9ment musicale\u2026<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Mais o\u00f9 sont aujourd\u2019hui ses grands traducteurs de jadis, les Canavaggia (simultan\u00e9ment traductrice de Powys et secr\u00e9taire de C\u00e9line !), les de Margerie, les Jaujard, les Queval et quelques autres\u00a0? QUI, au temps du sms-roi investira dans l\u2019\u00e9dition d\u2019un tel chef d\u2019\u0153uvre et payera d\u00e9cemment le sur-traducteur (au sens de surhomme) capable de s\u2019y attaquer\u00a0? C\u2019est \u00e0 lui, au traducteur \u00e9ventuel, \u00a0qu\u2019il faut souhaiter bon courage et patience infinie. Quand quelqu\u2019un l\u2019aura trouv\u00e9.<\/span><\/p>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: justify; padding-left: 150px;\"><span style=\"font-family: times new roman, times, serif; font-size: 18pt;\">Synopsis<\/span><\/h3>\n<p style=\"text-align: justify; padding-left: 150px;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">This is a grand &lsquo;romance of the dark ages&rsquo; \u2013 available in its full form for the first time. Widely regarded as Powys&rsquo;s finest achievement in fiction, <em>Porius<\/em> has never been published in its intended form \u2013 until now. The culmination of a lifelong passion for Wales and its mythology, <em>Porius<\/em> is at once a historical novel and a commentary on the nature of modern warfare. It is the year 499. The Saxons and their forest-people allies are advancing upon a Roman fort in North Wales in a desperate attempt to save the remnants of their berber matriarchate. Arthur has sent ahead Merlin, Nineue, and Medrawd, to seek the help of the beleaguered son of the reigning prince, Porius. Powys, a self-labelled \u201cborn Inventor of Fairy Tales\u201d, transformed the people and animals of his Welsh village into the mythical figures that haunt Porius&rsquo;s primeval woods. Severely cut by previous publishers, this edition, newly edited by two pre-eminent Powys scholars, is <em>Porius<\/em> as Powys would have wanted what he considered \u201cthe chief work of my lifetime\u201d.<\/span><\/p>\n<h3 style=\"text-align: justify; padding-left: 150px;\"><span style=\"font-family: times new roman, times, serif; font-size: 18pt;\">Reviews<\/span><\/h3>\n<p style=\"text-align: justify; padding-left: 150px;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">\u201c<em>Porius<\/em>\u2026 combines the Shakespearian epic sweep of historicity with a Jamesian finesse of psychological detail and acuity. In this narrative, as in the deeps of music and of blessing, life is language, and language is totally absorbed in the affirmation of life.\u201d <strong>George Steiner, <em>The New Yorker<\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 150px;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">\u201cThis mythical masterpiece&#8230; [is] fit to be compared both for ambition and achievement with <em>Ulysses<\/em>\u201d \u2013 <strong>Margaret Drabble, <em>TLS<\/em> <\/strong><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 150px;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">\u201c<em>Porius<\/em> has the timelessness of a river\u2026 His characters come to life and his world rounds itself, a world as elaborate as Euripides and as trivial as <em>Alice in Wonderland<\/em>\u201d \u2013<strong> <em>The Irish Times<\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 150px;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">\u201c<em>Porius<\/em> is\u2026 Powys\u2019s masterpiece. It calls to mind novels as diverse as <em>One Hundred Years of Solitude<\/em>, <em>Finnegan\u2019s Wake<\/em> and <em>Alice in Wonderland<\/em>\u2026 Over the years he\u2019s had some reputable allies \u2013 Henry Miller, Robertson Davies, Angus Wilson, George Steiner, Iris Murdoch, J.B. Priestley, Elias Canetti and Philip Larkin, who referred to Powys as a \u2018gigantic mythopoeic literary volcano\u2019 But he remains, in the words of Martin Amis, \u2018a monument of neglect\u2019.\u201d \u2013 <strong><em>Atlantic Monthly<\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify; padding-left: 120px;\"><span style=\"font-family: times new roman, times, serif; font-size: 12pt;\"><strong><em>\u00a0<\/em><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong><em>\u00a0<img loading=\"lazy\" class=\"alignnone wp-image-1551\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/LIVRES-300x162.gif\" alt=\"\" width=\"150\" height=\"81\" \/><\/em><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong><em>\u00a0<\/em><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 24pt; color: #c00000;\"><strong><em>Trois critiques de lecteurs publi\u00e9es sur amazon.com<\/em><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong><em>\u00a0<img loading=\"lazy\" class=\"alignnone size-full wp-image-1555\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/Myers.jpg\" alt=\"\" width=\"48\" height=\"48\" \/>\u00a0\u00a0 <\/em><\/strong><\/span><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Daniel Myers<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>5,0 sur 5\u00a0\u00e9toiles &#8211; <\/em><strong>A Book For The Ages<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">27 juillet 2009 \u2013<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">This book is a truly humbling one to review. It is also difficult to convey to the prospective reader exactly what it is that makes the work so monumental and important or why the editors of <em>The Atlantic<\/em> chose this book &#8211; written 50 years ago and only now published as Powys intended &#8211; as THE ONLY book of fiction worth the serious reader&rsquo;s time to emerge for the whole of last year. I shall endeavour, however, to do my best.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">The two striking qualities that will immediately begin to strike the engaged reader about the characters and setting (Wales, 499 A.D.) of the novel are a SLOWNESS and what I can only call a MUFFLEDNESS about it all. These qualities arise, not only because it is set in a pre-agrarian tribal society, but because Powys is interested primarily in the various impressions flickering through the souls of the characters and how they, gradually, come to assume, not to lose, the name of action. The manner in which Porius ruminates upon his decision to find and, if needs be, fight the Cewri might just as well be that of the reader as he\/she plunges into these pages :<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 60px;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">\u201cThis was decided. This was settled. And yet there hung about the whole project something dreamlike and unsubstantial, not so much unreal, as subreal, like a decision under water, or in the soft persistent falling of snow upon snow.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">We have, in today&rsquo;s post-industrial, \u201ctweeting\u201d age lost the consciousness of the connexions with faint odours, shifts of light, lingering memories that affect our moods, our states of conscience. Powys&rsquo; book slowly restores our awareness of these senses in us, as well as \u201cthe wisdom of every creature in reconciling itself as well as it could to that mysterious mingling of Nature&rsquo;s purposes with accident and chance, which is the only world we know.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">The relations between the sexes and, indeed, the sexual impulse itself are &#8211; again, slowly &#8211; revealed to us as matters of a complex sensorium, as when Sibylla is leading Brochvael through the forest:<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 60px;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">\u201cHer complicated new feeling, so fiercely reverential, for the man she was guiding, were as intimately associated with leaves and mould and moss and mist as his were with his fireside at Ty Cerrig&#8230;Yes, she was listening, after her fashion; and hearing, amid oak stumps and pine-tree trunks and under that shapeless silveriness of the sky, more, it may well be, than he was saying.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">More than anything, the book presses into the persevering reader an awe at the mysteriousness of our souls and of our world, no better represented than in Powys&rsquo; description of a morning mist :<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 60px;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">\u201cBy imperceptible degrees the first infinitely faint change in the warm dark bosom of the night reaches us like the tolling of a bell under water and with a tragic greyness, far more deathlike than anything to be found in the comfortable embrace and kindly oblivion of darkness; and there comes into existence, thrusting itself between the familiar alteration of light and day, a death-cold, corpselike, alien entity newly arrived upon the earth from heaven knows where.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Ultimately, the reader is drawn into a world of which his\/her primordial senses are keenly aware, which deeply underlies all our lives, but which is lost to us in our day-to-day lives. The time spent (about 60 hours for me) reading this book restores to awareness the odours, sights, smells, chance occurrences which mould our inner lives and eventually determine our actions. Like Proust, and only a few other great authors and poets I can think of over a life devoted to reading, it is a book of wisdom literature. This review doesn&rsquo;t do it justice. No rating I could give it does it justice. &#8212;&#8211; Like all such works, you don&rsquo;t so much read it. It reads you.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">_________________\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-1556\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/hashtag.jpg\" alt=\"\" width=\"48\" height=\"48\" \/>\u00a0 William Thon<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>5,0 sur 5\u00a0\u00e9toiles \u00a0\u2013 <\/em><strong>SUPERB WRITER, SENSATIONAL WRITING<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">28 novembre 2010<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">This is immortal writing and brilliant interpretation of a past time so often forgotten. <em>Porius<\/em> &#8211; This is the English language at its very best. Even the newts and tadpoles of hell are mentioned here. Fun fast paced reading that Tolkien must have admired. I find it hard for anyone to say anything bad about this amazing book. Like all of the Powys novels it transports me to another world that is unescapable. The forest is described so deliciously, we cannot help but be there with Porius. I do believe JCP should posthumously be given a knighthood for this sensational feat. I would go as far to say that this may be one of the best books in western civilization.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad___________________\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-1556\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/hashtag.jpg\" alt=\"\" width=\"48\" height=\"48\" \/>\u00a0\u00a0\u00a0 <span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">None<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><em>5,0 sur 5\u00a0\u00e9toiles \u2013 <\/em><strong>A great masterpiece of magical realism<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">15 f\u00e9vrier 2014 &#8211;<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\">Reading <em>Porius<\/em> is like touching God. It&rsquo;s an incredible book, one of the great masterpieces of literature, and yet, it is so unusual, so painfully difficult to read, and yet &#8211; in its moments, captures something so inexplicably deep and rich in our experience of life. For those troubled by the obscure references, it is helpful to have a copy of W.J. Keith&rsquo;s guide (just Google \u00ab\u00a0W.J. Keith Porius\u00a0\u00bb to find it) by one&rsquo;s side, and it can be a painfully slow slog, but there are moments here, too many to relate, the chapter on Myrddin Wyllt (Merlin), probably the best bit of magical realism ever written, and the incredible scene with the Druids in their underground home. Powys\u2019s unique way of capturing nature, and of capturing the innermost thoughts of his characters in a way which is even stronger than even Dostoyevsky. The part that troubles the \u201ceducated\u201d (as opposed to the \u201ccultured\u201d), the psycho-sexual element, and some of the overpowering nature moments, is very intrinsic to the writer and his world view and frankly, is very close to the Truth as uncomfortable as it might make you. There is nothing simple or easy about Powys\u2019 world, but it is highly memorable, you will remember scenes from this book for the rest of your life. Note that like Joyce&rsquo;s <em>Ulysses<\/em> that there is a sub-story here, which is the 7 days of the book correspond to the 7 steps of alchemical transformation. This book will transform you, it will expand your consciousness, it will outrage you, it will disturb you, but in the end, like the very, very few books of truly great literature, in the end you have felt that you touched something so fundamental to existence, you won&rsquo;t know what to call it &#8211; Powys might call it the First Cause; I felt like after I read it, that I had touched God.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"alignnone wp-image-1557\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/Page-manuscrite-de-Porius-IMG_20190109_0001-Copie-215x300.jpg\" alt=\"\" width=\"650\" height=\"906\" srcset=\"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/Page-manuscrite-de-Porius-IMG_20190109_0001-Copie-215x300.jpg 215w, https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/Page-manuscrite-de-Porius-IMG_20190109_0001-Copie.jpg 378w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: times new roman, times, serif; font-size: 14pt;\"><strong><em>Une des \u2013 2811 <\/em><\/strong>\u2013 <strong><em>pages du manuscrit de <\/em>Porius<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong><em><img loading=\"lazy\" class=\"alignnone wp-image-1551\" src=\"http:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/wp-content\/uploads\/2019\/01\/LIVRES-300x162.gif\" alt=\"\" width=\"150\" height=\"81\" \/><\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: comic sans ms, sans-serif; font-size: 14pt;\">Mis en ligne le 9 janvier 2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Mis en ligne le 9 janvier 2018<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; LIVRES POUR 2019 &nbsp; &nbsp; Nous vous avons d\u00e9j\u00e0 dit ce qui vous attendait \u2013 en 2019 au lieu de 2018 \u2013 \u00e0 propos du fameux \u00ab\u00a0Armistice\u00a0\u00bb qui n\u2019en fut pas un, puisque la Grande Guerre a continu\u00e9, continue et menace plus que jamais de s\u2019\u00e9tendre, comme les&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/wp-json\/wp\/v2\/posts\/1548"}],"collection":[{"href":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1548"}],"version-history":[{"count":0,"href":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/wp-json\/wp\/v2\/posts\/1548\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.lesgrossesorchadeslesamplesthalameges.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}